The thing depicted is less stationary, even the object in itself is less discernible than it used to be. A landscape broken into and traversed in a car or an express train losesindescriptivevaluebut gainsinsynthetic value; the window of the railroad carriage or the windshield of the car, combined withthespeed at whichyou aretraveling, have changed the familiar look of things. Modern man registers one hundred times more impressions than did an eighteenth century artist.
Now, sir, there isthelibertyof thepress, whichyou know is a constant topic. Suppose you and I and two hundred more were restrained from printing our thoughts: what then? What proportionwould that restraint uponusbear to the private happiness of the nation?