The Travancore royal family took a different approach to ruling its territories and managing the properties of the State. The king served as Padmanabha Dasa [who] ruled on behalf of god and swore allegiance only to god. In 1949, Maharaja Chithira Thirunal Rama Varma came close to refusing the post of Rajpramukh because he could not “give oath to the Indian government".
Trivandrum was the capital of the Princely State of Travancore, which was ruled by Hindu Kings and Queens, and it continues to be the state capital of the present day Kerala
The history of Trivandrum or rather Travancore comes with the Sangam age which comprised the first five centuries of the Christian era. There was no caste distinction in the earlier period. Hinduism was the religion and Sri Padmanabha Temple marked the religious symbol of the people.
The ruler Ravi Varma (1721-29) entered into a formal treaty with the English East India Company with the aim of strengthening his position in the fight against these noble elements and other hostile elements. He also entered into a treaty with the Nayaks of Madurai with the same object. On his death in 1729 Marthanda Varma who was to become famous in history as “the Maker of Modern Travancore”
King Marthanda Varma founder of Travancore, made Trivandrum his capital and even after his rule ended the city continued to be the capital of the State of Travancore. When Kerala was formed as a state in 1956 the city was unanimously chosen to continue as the capital continuing two centuries of tradition.... It is a small city compared to the other state capitals and thus retains its charm.
That above all, the friendship existing between the English East India Company and Travancore should be maintained at any risk and that full confidence should always be placed in the support and aid of honorable association.
Raja Ravi Varma, another member of the Travancore royal family and renowned painter , spent an important part of his lifetime in Trivandrum. While he painted many gods and even printed them as oleographs , he never painted Padmanabha or the temple.
Maharaja Swati Tirunal of Travancore (1813-1847) wrote 67 padams in Sanskrit, Telugu , Kannada and |Malayalam and he introduced them in Bharata Natyam performance by artists patronized by him in his own state. His padams have a rare literary flavour and the padams of this composer are becoming increasingly popular in the Bharat Natyam field…
Many royal personages adorn the pages of India’s musical history and amongst them the position of Swati Tirunal, a versatile genius, a linguist, a gifted musician and composer in as many as six languages Sanskrit, Telugu, Malayalam , Marathi , Hindi and Urdu , it was during his time that Travancore became an important centre for music.