The follower of Tantric art professes no austerities. He seeks to kill desire by an unlimited indulgence which brings satiety and extinction of emotion. The indulgence is enjoined by his so called religion; and his depravity is commended as a great virtue.
Real tantric sex blows your mind completely because it takes you beyond all our conceptions of everyday reality...Understanding that our bodies are temples for expressing divinity we can…expand, celebrate, and share relationship engorgement in every cell of our being … blending sex and spirit.
That is why in tantra – Tilopa is a tantra master – deep intercourse, orgasmic intercourse, between lovers is also called Mahamudra, and two lovers in deep orgasmic state are pictured in tantric temples, in tantric books. That has become a symbol of the final orgasm.
There is also an open air tantric temple to the south of Bhubaneshwar that is dedicated to the sixty-four yoginis, each of whom is associated with a particular yogic ability. It is said that people still worship the sixty-four yoginis here on New Moon ( amavasya ) nights.
...if we study the Gospel of Sri Ramakrishna, we find that though He taught the truths contained in the Upanishads, He illustrated these principles to us by methods that are tantric in origin and content. His worship of and devotion to Mother Kali, Sri Krishna, Mother Sita, Lord Chaitanya, Lord Shiva, and others, reveal His wonderful tantric nature and point to the many ways of practicing the Vedic truths.
...the Sanskrit word tantra has appeared since Vedic times, with an enormous diversity of meanings; it has been used to denote everything from a warp or a loom to “the chief potion or essence of a thing” (Mahabharta.13.48.6). Probably derived from the root tan, “to weave or stretch”, tantra is most often used to refer to a particular kind of text which is “woven” of the extended threads of many words. Yet, as Padoux points out, such texts may or may not contain materials that we today think of as “tantric”.
The energy levels of the tantric universe are generally represented as a set of concentric circles (cakras) of hypostasized forms of the divine energy which, in addition to appearing as an array of divine enlightened, perfected , demonic, human or animal beings, also manifest themselves on an acoustic level, as garlands or piled-up aggregates of phonemes ( mantras ), on a graphic level, as the written characters of the hieratic alphabets and as the hierarchized cakras of the yogi body.
Perhaps the best-known mandala-cum-plotting device in the tantric universe is the Sri Cakra and Sri Yantra of Hindu tantric practice, a perfectly balanced three-dimensional geometric diagram of a series of eleven interlocking and embedded triangles (also called Cakras) radiating downward and outward from a central point and enclosed by a circle and a square. The mandalas of Buddhist and Jain tantric practice follow similar structural and dynamic principles.
The theory and practice of the tantric mandala operates on a mesocosmic level , that is, on the level of a mediating template between protocosm and metacosm as well as between macrocosm and microcosm .
...when the Goddess is invited to take her place, before the moment of worship, the yoni mudra is made since the yoni , the female organ is her pitha or yantra. The yoni can never be regarded by tantric adept otherwise than an altar.