“There is nearly always a chthonic link. The object-imbued-with-numinous-power tends to be of mineral origin: gold, perhaps mined from a special vein, or a jewel of extraordinary rarity, or a sword forged from a shooting star. I am merely describing pulp. But the vast popularity…attests to the power of these motifs to seize the reader’s attention, down at the level of the reptilian brain, even as the cerebrum is getting sick.”
[Nietzsche’s] definition of cruelty informs Artaud’s own, declaring that all art embodies and intensifies the underlying brutalities of life to recreate the thrill of experience … Although Artaud did not formally cite Nietzsche, [their writing] contains a familiar persuasive authority, a similar exuberant phraseology, and motifs in extremis …antonin artaud
L'acte poétique consiste à voir soudain qu'une idée se fractionne en un nombre de motifs égaux par valeur et à les grouper; ils riment .stéphane mallarmé
Today, two serpent motifs are commonly used to symbolize the practice and profession of medicine . Internationally, the most popular symbol of medicine is the single serpententwined staff of Asklepios (Latin, Aesculapius ), the ancient Greco-Roman god of medicine.
Teamwork is at the core of this craft, with the process comprising seven stages: designing and drawing, carpentry, handcutting and shaping of motifs, scooping the exact pattern on the rosewood surface, fixing and inlaying followed by sand papering, polishing, engraving the details and the final finish.
Painting responded to the plague -darkened vision of the human condition provoked by repeated exposure to sudden, inexplicable death. Tuscan painters reacted against Giotto's serenity, preferring sterner, hieratic portrayals of religious scenes and figures. The "Dance of Death" became a common theme for art; and several other macabre motifs entered the European repertory.William Hardy McNeill
British Gazetters of the Raj era, those marvellously accurate records of the minutiae of Indian life, mention the presence of "thousands of rosewood inlay workers" in Mysore during the 19th Century. With their "wondrous and unparalleled" skills of inlaying finely etched ivory motifs on rosewood surfaces, they literally captured a panorama of India, its festivals, flora and fauna.