Dante's Quotes
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Nay, then, what flames are these that leap and swell As 'twere to show, where earth's foundations crack, The secrets of the sepulchres of hell On Dante's track?
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More Dante's Quotes
Canadians look down on the United States and consider it Hell. They are right to do so. Canada is to the United States what, in Dante's scheme, Limbo is to Hell.
Irving Layton— Obs II
In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational (blood and sex).
cesare pavese— 1944-07-14
They [the wise spirits of antiquity in the first circle of Dante's Inferno ] are condemned, Dante tells us, to no other penalty than to live in desire without hope, a fate appropriate to noble souls with a clear vision of life.
george santayana— Obiter Scripta (1936)
Although German writers may sometimes have mispraised or overpraised their greatest mediaeval poet, it is certain that we find in Wolfram von Eschenbach qualities, which, in the thousand years between the Fall and the Renaissance of classical literature, can be found to anything like the same extent in only two known writers, the Italian Dante and the Englishman Langland ; while if he is immensely Dante's inferior in poetical quality, he has at least one gift, humour, which Dante had not, and is far Langland's superior in variety and in romantic charm.
wolfram von eschenbach— George Saintsbury The Flourishing of Romance and the Rise of Allegory (Edinburgh: Blackwood, 1897) p. 251
Although German writers may sometimes have mispraised or overpraised their greatest mediaeval poet, it is certain that we find in Wolfram von Eschenbach qualities, which, in the thousand years between the Fall and the Renaissance of classical literature, can be found to anything like the same extent in only two known writers, the Italian Dante and the Englishman Langland ; while if he is immensely Dante's inferior in poetical quality, he has at least one gift, humour, which Dante had not, and is far Langland's superior in variety and in romantic charm.
— George Saintsbury The Flourishing of Romance and the Rise of Allegory (Edinburgh: Blackwood, 1897) p. 251
