Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
"Rules of simultaneous ensemble constraint can't be assumed a priori to be the kinds of rules or rest on the same foundations as rules for constraint on succession. They may well be similar, but they may well not be similar also. It seems to me that ensemble constraints must first be understood in their own terms, within musical cultures individually and comparitively, looking to what appear to be basic principles in each in light of the others, I would call such a study "comparative counterpoint."harold powers
Markets can be efficient or inefficient; so can governments. thus market failure is a counterpoint to government failure.
With a wracking head and literally my whole body shaking as with ague I write this and tell you I have just this afternoon early finished Clavicembalisticum... The closing 4 pages are so cataclysmic and catastrophic as anything I've ever done the harmony bites like nitric acid the counterpoint grinds like the mills of God...kaikhosru shapurji sorabji
Too much counterpoint; what is worse, Protestant counterpoint.thomas beecham