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The Odissi dancer Samjukta Panigrahi...carried the heritage of an ancient art form revived in her body. Her artistry was based on the teaching of her guru Kelucharan Mahapatra, her ability to give physical form to the ancient carvings of temple of temple dancers on the walls of the temples in Orissa, and the transformation of the Natyashstra’s performance rules into the odissi dance form.
In "Negotiating Cultures: Eugenio Barba and the Intercultural Debate". | ||