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A symbol is always in general and, however precise its translation, an artist can restore to it only its movement: there is no word -for-word rendering. Moreover, nothing is harder to understand than a symbolic work. A symbol always transcends the one who makes use of it and makes him say in reality more than he is aware of expressing.
Albert Camus, in The Myth of Sisyphus (1942), Appendix: Hope and the Absurd in the work of Franz Kafka | ||
