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As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations.. ..for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship … (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness.
Michel Seuphor, in Abstract Painting (1964) | ||
