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Anyone who has heard (Jacques Derrida) lecture in French knows that he is more performance artist than logician. His flamboyant style--using free association, rhymes and near-rhymes, puns, and maddening digressions--is not just a vain pose (though it is surely that). It reflects what he calls a self-conscious "acommunicative strategy" for combating logocentrism.
Mark Lilla, Review of Derrida's Moscou Aller-Retour in The New York Review of Books, June, 1998 | ||
