Miles Davis In Szwed, John (2012). So What: The Life of Miles Davis. Random House. ISBN 9781448106462. , and in many other booksSsometimes rendered as: I'll play it 'first and tell you what it is later. During a recording session for Prestige, on the album "Relaxin' with the Miles Davis Quintet" (1956).
Miles Davis In Playboy to Alex Haley (1962); also in Chambers, Jack (1983). Milestones: The music and times of Miles Davis since 1960. Beech Tree Books. p. 209. ISBN 9780688046460. , Haley, Alex (1993). Fisher, Murray. ed. The Playboy Interviews. Ballantine. p. 15. ISBN 9780345383006. , Carner, Gary (1996). Carner, Gary. ed. The Miles Davis companion: four decades of commentary. Schirmer Books. p. 19. ISBN 9780028646121. , and in Early, Gerald Lyn, ed (2001). Miles Davis and American Culture. Missouri Historical Society Press Series. Missouri History Museum. p. 205. ISBN 9781883982386.
Miles Davis Alternative: He plays like somebody was standing on his foot. In Down Beat "Blindfold Test" with Leonard Feather (13 June 1964); also in Chambers, Jack (1983). Milestones: The music and times of Miles Davis since 1960. Beech Tree Books. p. 71. ISBN 9780688046460. On Eric Dolphy
Miles Davis Alternative: My ego only needs a good rhythm section. In Chambers, Jack (1983). Milestones: The music and times of Miles Davis since 1960. Beech Tree Books. p. 261. ISBN 9780688046460. "My ego only needs a good rhythm section" is also the title of an interview/article by Stephen Davis for The Real Paper (21 March 1973) On being asked what he looked for in musicians.
Miles Davis Quoted in: Jazz Journal International, (1983), p. 12 Miles Davis asking Blue Note records producer Alfred Lion's approval of a recorded performance in Rudy Van Gelder's studio. Miles' gravelly-voice question was accidentally recorded, but included at the end of "One For Daddy-O" on the Cannonball Adderley recording "Somethin' Else": a famous recorded peek into the recording studio process.
Miles Davis Miles, the Autobiography (1989) (co-written with Quincy Troupe, p. 371.) At a White House reception in honor of Ray Charles 1987, this was his reply to a society lady seated next to him who had asked what he had done to be invited.
Miles Davis On being called a legend.Quoted in International Herald Tribune (17 July 1991); also in: Shapiro, Fred R., ed (2006). The Yale Book of Quotations. Yale University Press. p. 189. ISBN 9780300107982.
Miles Davis In Werner, Craig Hansen (2006). A Change is Gonna Come: Music, Race & the Soul of America. University of Michigan Press. p. 53. ISBN 9780472031474. as: he can be the Duke Ellington of our times.And in Paul Maher, Michael K. Dorr, ed (2009). Miles on Miles: Interviews and Encounters with Miles Davis. Musicians in Their Own Words Series. Chicago Review Press. p. 262. ISBN 9781556527067. as: Do you know who Prince kinda reminds me of, particularly as a piano player? Duke! Yeah, he's the Duke Ellington of the eighties to my way of thinking. On Prince