One could go on forever as to whether the paint should be thick or thin, whether to paint the woman or the square, hard-edge or soft, but after a while such questions become a bore. They are merely problems in aesthetics, having only to do with the outer man. But the painting I have in mind, painting in which inner and outer are inseparable, transcends technique, transcends subjects and moves into the realm of the inevitable.
In: Barbara Rose, ?Lee Krasner, ?Museum of Fine Arts, Houston (1983) Lee Krasner: a retrospective. p. 134
I think my painting is so autobiographical if anyone can take the trouble to read it.Lee Krasner
I went into my own black-out period which lasted two or three years where the canvases would simply build up until they’d get like stone and it was always just a gray mess. The image wouldn’t emerge, but I worked pretty regularly. I was fighting to find I knew not what, but I could no longer stay with what I had.Lee Krasner
Right up until today Pollock takes a lot of mine time... and while you ask ’How much did it take out of me as a creative artist’ I ask simultaneously, ‘What did it give?’ It is a two-way affair at all times. I would give anything to have someone giving me what I was able to give Pollock.Lee Krasner
I think every once in a while I feel the need to break my medium... if I have been doing a very large painting I like to drop into something in small scale. It is a challenge to go into this size. It is just to hold my own interest, and then each media has its own conditions.Lee Krasner