While moral rules may be propounded by authority the fact that these were so propounded would not validate them.
Bhrata Natyam dancers, like Western dance modernists, strove to validate dance, describing it as a “high” autonomous art that expressed creativity and engaged with serious intellectual and philosophical concerns. Dancers in India, as in the West, validated their performance practice by emphasizing the originality of their work while also drawing on historical sources for their enquireis.
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