The Mahapuranas contain 400,000 slokas . They are four times the size of Mahabharata . In these, six are Satvic or Vaishnava Puranas and glorify Lord Vishnu, six are Rajasic or Brahma Puranas and glorify Lord Brahma, and six are Tamasic or Shiva Puranas and glorify Lord Shiva.
Padmanabha Swamy temple located inside the East Fort, this Vaishnava temple is very famous attracting devotees from all parts. Dedicated to Lord Vishnu sleeping on Anantha, the serpent king, this temple is a rare blend of Dravidian architecture and the Kerala style.
It is this stream of sringara that swells into the mighty river of the lover-beloved songs of the Vaishnava and Saiva saints, the Ashtapadi of Jayadeva and the compositions of Kshetragna. In Bharatanatyam, too when it comes to abhinaya, sringara has been the dominant mood.
Tulsidasa alone, though the most famous of them all, has no disciples that are called after his name. There are Vallabhachars and Radha Vallabhs and Maluk Dasis, Pran Nathis and so on in interminable succession, but there are no Tulsidasis. Virtually, however, the whole of Vaishnava Hinduism has fallen under his sway; for the principles that he expounded have permeated every sect and explicitly or implicitly now form the nucleus of the popular faith as it prevails throughout the whole of the Bengal Presidency from Hardwar to Calcutta .
This eternal lila is the eternal truth , and, therefore, its this eternal lila - the playful love-making of Radha and Krishna , which the Vaishnava poets desired to enjoy. If we analyse the Gitagovinda of Jayadeva we shall find not even a single statement which shows the poet's desire to have union with Krishna as Radha had,- he only sings praises the lila of Radha and Krishna and hankers after a chance just to have peep into the divine lila, and this peep into the divine lila is the highest spiritual gain which poets could think of.
Mantra Upanishad: These teachings center on esoteric interpretations of specific sounds and syllables and place those interpretations into Yogic as well as Saiva , Vaishnava , and Durga theistic contexts. Typical of these works are Tarasara, Kalisantarana, and Narayana Upansihad.
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