If we approach Bharata Natyam with humility, learn it with dedication and practice it with devotion to God, sringara which brings out the great beauties of this dance can be portrayed with all the purity of the spirit.
...there is nothing in Bharata Natyam which can be purified afresh; it is divine as it is and innately so. The sringara we experience in Bharata Natyam is never carnal; never, never. For those who have yielded themselves to its discipline line with total dedication, dance, like music is the practice of the Presence. It cannot be merely the body’s rapture.
It is this stream of sringara that swells into the mighty river of the lover-beloved songs of the Vaishnava and Saiva saints, the Ashtapadi of Jayadeva and the compositions of Kshetragna. In Bharatanatyam, too when it comes to abhinaya, sringara has been the dominant mood.
The aesthetics and the artistry of Bharata Natyam alike make us realise that sringara has pride of place here. In a sense, Bharata Natyam is a combination of the yoga and mantra sastras. The mudras of the mantra shastras are the same as the hand gestures of Bharata Natyam.Balasaraswati
We have nine major sentiments….The nine universally known emotions are sringara (love), vira (heroism), karuna (pathos), adbhuta (wonder), raudra (anger), hasya (humour), bhyanaka (fear), bibhatsa (disgust) and shanta (peace).
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