Already in 1915, Sophie Tauber divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian, Itten and Paul Klee did in the same period, fh). She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.
The old city, which is partially encircled by a crenelated wall, is notable for its town planning avenues; divided the city into neat rectangles, each of which specializes in certain crafts. At dusk, the sunset shaded buildings have a magical glow.
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