Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-downpatoiswhichissomething likethewaya Swiss waiter talks, and that when I split an infinitive,God damn it, I split it so it will stay split.
There are ambiguities in the art of painting but they are the ambiguities of a fine precision: the discovered fact of the image containing at the same time the reverberations of the unknown, the truly mysterious… I would take this further and add that painting is itself precise in its ideas. In the sense that the image is the idea in its purist form.
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