...in the period from 1923 to 1948, known as the Bharata Natyam revival. Performers, critics, and promoters through Bharata Natyam to the urban proscenium stage, recontextualizing and renaming it. In doing so they crafted a genealogy in which Bharat Natyam came to represent ancient tradition and critical experimentation, nationalism, regional identities and the global transference forms outside of geographical and cultural boundaries.
There is much virtue in a window. It is to a human being as a frame is to a painting, as a proscenium to a play, as 'form' to literature. It strongly defines its content.max beerbohm
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