...in the period from 1923 to 1948, known as the Bharata Natyam revival. Performers, critics, and promoters through Bharata Natyam to the urban proscenium stage, recontextualizing and renaming it. In doing so they crafted a genealogy in which Bharat Natyam came to represent ancient tradition and critical experimentation, nationalism, regional identities and the global transference forms outside of geographical and cultural boundaries.
The revival of Bharat Natyam therefore depended not only on politics, but also on the ability of practitioners and promoters to articulate their understanding of the dance form’s history .By Janet O'Shea in "At Home in the World: Bharata Natyam on the Global Stage", p.5
I am inclined to say that the personal attendance and intervention of women in election proceedings, even apart from any suspicion of the wider objects of many of the promoters of the present movement, would be a practical evil not only of the gravest, but even of an intolerable character.william ewart gladstone
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