Helnwein has always said that he paints children because they symbolize humanity better than adults. This may be so, but perhaps Helnwein's images are so profoundly disturbing because of the disparity between the portrayal of children- in all their idealized purity- and the portrayal of suffering. His work is a mesmerizing commentary not only on the exploitation of children in our culture, but also on emotional vacancy and moral torpor, which too often implicate us in the pain of others.
"Dozens of Judensaus... intersect with the portrayal of the Jew as a Christ killer. Various illustrations of the murder of Simon of Trent blended images of Judensau, the devil , the murder of little Simon himself, and the Crucifixion . In the seventeenth-century engraving from Frankfurt ... a well-dressed, very contemporary-looking Jew has mounted the sow backward and holds her tail, while a second Jew sucks at her milk and a third eats her feces. The horned devil, himself wearing a Jewish badge, looks on and the butchered Simon, splayed as if on a cross, appears on a panel above."
Iran has a long history. People of the world can learn much from the portrayal of Iranian civilization by the Iranian arts over such a long period of time.
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