Already in 1915, Sophie Tauber divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly as Mondrian, Itten and Paul Klee did in the same period, fh). She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.
What expressions we used – in part taken over and in part newly invented! above all, the famous 'wholly other' breaking in upon us ‘perpendicularly from above,’ the not less famous 'infinite qualitative distinction' between God and man, the vacuum, the mathematical point, and the tangent in which alone they must meet.Karl Barth
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