You can go into slow motion or fast motion in a comic book in a way you can't in a movie without drawing attention to it. You can have six panels in a row where the actions are a half second apart, or you can skip years between panels and it just doesn't have the same egregious quality, where, in a movie, Peckinpah slows down the murder and it seems that the body collapse in slow motion; it seems like an entirely different thing when you do that on film and when you do that on the comics page.
And for the genre stuff I'm a big fan of Carpenter, Romero, Peckinpah, and Polanski, because they're unremitting and real and brilliant at showing characters under unbearable stress and unafraid of challenging us with uncomfortable truths as well as being just incredible filmmakers.
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