One of the most emphatic dance forms that the City of Nawabs has given - the Lucknow Gharana of Kathak, which came into existence mainly in the court of Nawab Wajid Ali Shah, the ruler of Avadh in 19th Century. Kathak, its exponents say, was so powerful that no other dance form posed a challenge to it for a long period.
...the communalization of Bhopal politics and society remained limited. First the Hindu and Muslim intelligentsia shared one common grievance vis-à-vis the Nawab.
The British provincial rulers divested the Nawab of his title and his jurisdictional authority following the Company’s defeat of Tippu and its annexation of his Caranatic holdings. The Nawab and his descendants were granted a title (The Prince of Arcot) and pension, and a portion of the estate was allocated for their use. The estate’s main palace, the Chepauk Palace, was purchased by the British administration in 1855 and converted to government offices, and it continues to be used in this way.
In all cases, the relatively recent rule of Muslim chiefs and the newly emerged Nawab of the Arcot left a late but indelible imprint of Islamic influence within the city.
Lucknow was a bystander of those last proud days of Muslim rule in India, before it and the rest of Oudh , was summarily annexed by the British . The fall of Wajid Ali Shah, the last Nawab of Oudh and the siege of Lucknow during the 1857 Mutiny have given Lucknow special mention in all history books . The Nawabs of Lucknow are a footnote in Indian history for their degenerate, idle and lavish lifestyle .