High up among the branches of a mighty tree she hugged the shrieking infant to her bosom, and soon the instinct that was as dominant in this fierce female as it had been in the breast of his tender and beautiful mother — the instinct of mother love — reached out to the tiny man-child's half-formed understanding, and he became quiet.Then hunger closed the gap between them, and the son of an English lord and an English lady nursed at the breast of Kala, the great ape.
Tenderly Kala nursed her little waif, wondering silently why it did not gain strength and agility as did the little apes of other mothers. It was nearly a year from the time the little fellow came into her possession before he would walk alone, and as for climbing — my, but how stupid he was!Edgar Rice Burroughs
The story of his own connection with the cabin had never been told him. The language of the apes had so few words that they could talk but little of what they had seen in the cabin, having no words to accurately describe either the strange people or their belongings, and so, long before Tarzan was old enough to understand, the subject had been forgotten by the tribe.Only in a dim, vague way had Kala explained to him that his father had been a strange white ape, but he did not know that Kala was not his own mother.Edgar Rice Burroughs
Tarzan held a peculiar position in the tribe. They seemed to consider him one of them and yet in some way different. The older males either ignored him entirely or else hated him so vindictively that but for his wondrous agility and speed and the fierce protection of the huge Kala he would have been dispatched at an early age.Edgar Rice Burroughs
Had Kala lived, Tarzan would have sacrificed all else to remain near her, but now that she was dead, and the playful friends of his childhood grown into fierce and surly brutes he felt that he much preferred the peace and solitude of his cabin to the irksome duties of leadership amongst a horde of wild beasts.Edgar Rice Burroughs
[That was the beginning of the 60s]. In those days, Sangeet Natak Akadem conferences deemed only four Indian styles as classical dances, and Kuchipudi was not one of them. Owing to the profusion of dance masters who were Kuchipudi trained, Kuchipudi was termed as a "filmy dance" or Koothu . However, in the 1958 Natya Kala Conference under the leadership of Banda Kanakalingeswara Rao, Vissa Appa Rao and others, Kuchipudi was just beginning to get some amount of recognition.