Sometimes I dream of revolution, a bloody coup d'etat by the second rank troupes of actors slaughtered by their understudies, magicians sawn in half by indefatigably smiling glamour girls, cricket teams wiped out by marauding bands of twelfth men.
Dasein must be hermeneutical, that is, aware of its own historical formation and indefatigably attentive to the problem of interpretation. Implied in such an awareness of its own interpretive origins is a “destruction” or dismantling of the transmitted conceptual apparatus, a clearing of the congested arteries of a philosophical tradition that has all the answers but no longer experiences the questions especially the question of its own provenance and purpose.
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