Already, a conscious courage is coming to life. Here are some of the painters: Picasso , Braque , Delaunay , Le Fauconnier. . . they are highly enlightened, and do not believe in the stability of any system, even if it were to call itself classical art. . . Their reason is poised between the pursuit of the fleeting and a mania for the eternal.
It used to be said of a woman: why she's a Velázquez infanta! Now it is said: she's a Renoir blonde! I have no doubt that, in the future, it will be proclaimed: she's as exuberant as a Delaunay, as noble as a Le Fauconnier, as beautiful as a Braque or Picasso .
Never had the critics been so violent as they were at that time. From which it became clear that these paintings – and I specify the names of the painters who were, alone, the reluctant causes of all this frenzy: Jean Metzinger, Le Fauconnier, Fernand Léger, Robert Delaunay and myself – appeared as a threat to an order that everyone thought had been established forever.
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