In the nineteenth century some parts of the world were unexplored, but there was almost no restriction on travel.:; Up to 1914 you did not need a passport for any country except Russia.:; The European emigrant, if he could scrape together a few pounds for the passage, simply set sail for America or Australia, and when he got there no questions were asked.:; In the eighteenth century it had been quite normal and safe to travel in a country with which your own country was at war.
The thing depicted is less stationary, even the object in itself is less discernible than it used to be. A landscape broken into and traversed in a car or an express train losesindescriptivevaluebut gainsinsynthetic value; the window of the railroad carriage or the windshield of the car, combined withthespeed at whichyou aretraveling, have changed the familiar look of things. Modern man registers one hundred times more impressions than did an eighteenth century artist.Fernand Le ger
During the eighteenth- and nineteenth-century British occupation of Srinagar, colonial-style colleges, hospitals, and courts were constructed. In the downtown area of the city are less well-known residences, mosques, temples, hammams , and bazaars constructed in the local vernacular of timber and masonry architecture. Together, these buildings represent an unusually intact pre-modern urban environment.
Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April in Seventy-five.Henry Wadsworth Longfellow
On his eighteenth day in the tiger cage, Robert Stoney began to lose hope of emerging unscathed.greg egan
Our poetry in the eighteenth century was prose; our prose in the seventeenth, poetry.david hare
Without competition we would be clinging to the clumsy antiquated processes of farming and manufacture and the methods of business of long ago, and the twentieth would be no further advanced than the eighteenth century.william mckinley
"No critic, not even a topical analyst, can escape seeing the musical past from a present perspective. But...the common-language approach of the topical-analyst critics permits a separation between present sensibility and the general sensibilities of the late eighteenth century, allowing for an ever-evolving dialogue between the vanished past and the evanescent present."harold powers
To have never done anything but make the eighteenth part of a pin, is a sorry account for a human being to give of his existence.jean-baptiste say
It may happen in the next hundred years that the English novelists of the present day will come to be valued as we now value the artists and craftsmen of the late eighteenth century.evelyn waugh
The ‘I think, therefore I am’ of Descartes, the ‘I feel, therefore I am’ of late eighteenth century Romanticism, and the ‘I possess therefore I am’ of bourgeois man are dogmas, partial at that, incorporated to define a being that is incapable of defining itself.john carroll
The constitution of madness as a mental illness, at the end of the eighteenth century, affords the evidence of a broken dialogue, posits the separation as already effected, and thrusts into oblivion all those stammered, imperfect words without fixed syntax in which the exchange between madness and reason was made. The language of psychiatry, which is a monologue of reason about madness, has been established only on the basis of such a silence.Michel Foucault
Most of us know, now, that Rousseau was wrong: that man, when you knock his chains off, sets up the death camps. Soon we shall know everything the eighteenth century didn't know, and nothing it did, and it will be hard to live with us.Randall Jarrell
Listen, my children, and you shall hear Of the midnight ride of Paul Revere, On the eighteenth of April, in Seventy-five; Hardly a man is now alive Who remembers that famous day and year.Henry Wadsworth Longfellow
In the eighteenth century it was often convenient to regard man as a clockwork automaton. In the nineteenth century, with Newtonian physics pretty well assimilated and a lot of work in thermodynamics going on, man was looked on as a heat engine, about 40 per cent efficient. Now in the twentieth century, with nuclear and subatomic physics a going thing, man had become something which absorbs X-rays, gamma rays and neutrons.thomas pynchon
It can be said of him, When he departed he took a Man's life with him. No sounder piece of British manhood was put together in that eighteenth century of Time.thomas carlyle
We owe to an eighteenth century Persian poet the marvelous concept of "serendipity." It is a word born in the delightful Persian tale entitled "The Three Princes of Serendip." Webster's Dictionary defines "serendipity" as the faculty or phenomenon of finding valuable things not sought for." It represense a tye of "accidental sagacity; the faculty of making fortunate discoveries of things you were not looking for."
Without competition we would be clinging to the clumsy antiquated processes of farming and manufacture and the methods of business of long ago, and the twentieth would be no further advanced than the eighteenth century.
What emerged [over the eighteenth century]... was not merely a collection of separate quarters, but two or even three distinct societies with their own characteristic ways of organizing space ...the outstanding feature of Madras was that these cultural units – colonial European , indigenous urban and rural societies – in many cases shared the same territory without actually merging together or losing their distinctive characteristic.
Neoclassical architecture was common in Europe by the late eighteenth century and influenced the design of public buildings. This was adopted by Company architects initially in imitation of European fashion but later acquired more intense symbolism meant to distinguish the different origins of rulers and ruled.
Ahoms, a tribe from Burma , who controlled the region from thirteenth to eighteenth centuries, who absorbed Hindu culture, were the original builders of Guwahati’ most famous site, a shrine to the goddess Sati, also known as Kali , consort of Shiva .
Founded in the early eighteenth century, it is pre-colonial in inception – designed sufficiently recently to ensure the ready availability of ample source material, yet in accordance with indigenous principles.
All of the technical innovations that formed the basis of the Industrial Revolution of the eighteenth and the first half of the nineteenth centuries were made by men who can best be described as craftsmen, artisans, or engineers. Few of them were university educated, and all of them achieved their results without the benefit of scientific theory. Nonetheless, given the technical nature of the inventions, a persistent legend arose that the originators must have been counseled by the great figures of the Scientific Revolution.
The contributions of these great people culminated in the late eighteenth century and early nineteenth century in a golden era of Carnatic music. Three great composers – Thyagaraja, Muthuswami Dikhsitir, and Shayamasastry - dominated the scene, and Carnatic music reached a pinnacle in both its aesthetic and its technical aspects. P. 453
Carnatic music as we know today can at best be traced to the early or middle of the eighteenth century. One of the most important reasons being the unbroken lines of guru-sisya (teacher–disciple) that have come down to the present day bringing with them compositions and musical practices of distinct traditions .
The major vehicle of for the transition to the capitalist mode of production was the textile industry of eighteenth - century England. In cloth production mercantile wealth was visibly transformed into capital , as it acquired the dual function of purchasing machines and raw materials, on the one hand, and buying human energy to power their operation on the other.
Our music has sprung from the patient, incessant, and progressive penetration into the law of resonance, that is to say, from the successive exploitation of the octave , the fifth and the fourth (ninth to twelfth century), the third (thirteenth to sixteenth century), the seventh (seventeenth and eighteenth century), the major ninth , the augmented fifth , and the perfect eleventh (nineteenth and twentieth centuries) . . . . this evolution . . . . constitutes, at the same time, the only true justification of the musical art.
In the eighteenth century and early nineteenth century Spinoza even became the secular saint of a kind of mystical pantheist deism for authors like Goethe, Schelling, and Coleridge.