One ought to be able to hold in one's head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being. The one does not invalidate or, in a sense, affect the other.
It was not in Dal | 's nature to play Gilbert to someone else's Sullivan.
When Dal | hallucinatedthe whole world hallucinated with him.
Dal | 's importance for the Surrealists at that time, and for art historians now, is that he found a way to put Freud on canvas.
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